The Headless Ghost, known in Chinese as Wú Tóu Guǐ (无头鬼), is a vengeful spirit from Chinese folklore and spirituality, often depicted as a wandering soul without a head. Also referred to as the Beheaded Spirit or Headless Wanderer, this entity originates from tales of unjust death, particularly those involving decapitation due to war, execution, or betrayal.

In traditional Chinese ghost stories, Wú Tóu Guǐ appears as a tragic figure—once human, now cursed to roam endlessly in search of its lost head. This ghost symbolizes unresolved death, injustice, and the consequences of violence. Unlike other spirits who may find peace through ancestral rites or reincarnation, the Headless Ghost remains trapped in the mortal world, unable to move on until it locates what was taken from it.
Its presence is often accompanied by eerie silence, shadowy figures, and whispers in the dark. In some accounts, it haunts battlefields, execution grounds, or places where heads were severed during ancient dynastic conflicts.
Information
- Name: Wú Tóu Guǐ (无头鬼), Headless Ghost
- Gender: Varies; typically male in historical depictions
- Age: Approximately 2,200 years old; stories about it date back to at least the Han Dynasty (206 BCE–220 CE).
- Abilities: Drifting silently, appearing in dreams, creating illusions of a missing head, invoking fear and paranoia
- Interests: Searching for its missing head, haunting locations tied to its death, seeking justice or vengeance
Origin
The legend of Wú Tóu Guǐ can be traced back to early Chinese military history and folklore, particularly during times of war when decapitation was used as punishment or trophy collection. One of the earliest recorded instances comes from the Han Dynasty, where soldiers who died in battle without their heads were believed to become restless spirits.
Another well-known story involves a general executed during the Three Kingdoms period (220–280 CE). After being wrongly accused of treason and beheaded, his body vanished, but his headless spirit was said to haunt the palace grounds at night, crying out for justice. Over time, such tales evolved into the broader myth of Wú Tóu Guǐ, representing not just individual tragedy but also the collective trauma of war and injustice.
These stories were later reinforced by Buddhist teachings about karma and the afterlife, emphasizing that a spirit cannot rest if its body is incomplete. As a result, rituals developed to appease these ghosts, especially during Hungry Ghost Festival observances.
Characteristics
The Wú Tóu Guǐ is typically described as a tall, humanoid figure with no head, sometimes seen wearing remnants of armor or clothing from its past life. It moves silently, leaving no footprints, and is often surrounded by a cold mist or unnatural stillness.
Unlike other ghosts who are bound to specific locations, Headless Ghosts wander aimlessly, searching for their missing heads. Some versions of the legend claim they attempt to steal the heads of the living to temporarily replace their own, causing illness or madness in victims.
In visual art and literature, Wú Tóu Guǐ is portrayed with elongated arms or glowing eyes beneath a cloak-like robe. The absence of a head symbolizes lost identity, severed destiny, and unfinished business, making this ghost one of the most pitiable yet terrifying figures in Chinese supernatural lore.
Cultural Significance
The Headless Ghost plays a significant role in Chinese spiritual beliefs, serving as a warning about the consequences of unjust actions and the importance of proper burial rites. It frequently appears in ghost operas, temple murals, and modern horror fiction, reinforcing themes of karma, retribution, and the thin veil between the living and the dead.
One notable appearance is in the 1987 Hong Kong film “A Chinese Ghost Story”, where various types of ghosts are depicted, including silent, headless figures lurking in forests and ruins. More recently, the character has appeared in Candle in the Tomb: Mu Ye Gui Shi (2017), a fantasy-adventure series based on traditional Chinese ghost-hunting legends.
At sites tied to historic executions, such as Caishikou in Beijing or Machangding in Taipei, as well as around old graveyards and former battlefields, locals warn children not to go out at night for fear of encountering the Headless Ghost—restless spirits of those beheaded, who sometimes ask passersby, “Where is my head?”
In such places, some communities periodically set out simple vegetarian offerings outdoors (incense, candles, flowers, clean water, fruit) on the 2nd and 16th days of the lunar month or when visiting the site of a fatal accident. They recite “Namo Amitabha Buddha,” chant brief “Food Transformation” and “Water Transformation” mantras to offer sustenance, and dedicate the merit so that these wandering spirits who died unjustly may relinquish resentment and find peace.
Through centuries of storytelling and ritual, the Headless Ghost remains a powerful symbol of unresolved death, reminding people of the spiritual costs of violence and injustice.